Principles of Double Bass Technique

'What do I do when I want to produce this sound and am unable to?' The book 'Grundlagen der Kontrabass-Technik' by Michael B. Wolf provides detailed answers to such questions.
With the help of a detailed programme, the pupil will quickly learn the purely technical elements which are indispensable for artistic expression. Topics such as bowing technique, change of position, vibrato, right-left coordination, intonation or performance preparation condense into an increasingly complex system that always takes all technical and intellectual aspects of sound generation into account. Although many techniques of this method represent a radical breach of tradition, they can be easily used for all double-bass methods and playing techniques.
Michael Barry Wolf, born in 1954 in the USA, is professor of double bass at the Berlin Universitat der Künste. He studied music at the CaliforniaStateUniversity and was member of the San Diego Symphony Orchestra. His radio and disc recordings as well as numerous concert activities and master classes at home and abroad have always received great critical acclaim.